“If I’d held onto the company I could have done it, and then it would have been done,” Lucas said. But it seems even Lucas was uncertain of this direction after the reception his first attempt at explaining the Force received in 1999. What we can take this to mean is that Lucas’ story, and Episode IX by extension, would have delved deeper into the mysteries of the Force. The Whills, in a general sense, they are the Force.” The midi-chlorians are the ones that communicate with the Whills. Back in the day, I used to say ultimately what this means is we were just cars, vehicles, for the Whills to travel around in. And the Whills are the ones who actually control the universe. “There’s this world of creatures that operate differently than we do. “ were going to get into a microbiotic world,” Lucas said in segment from James Cameron’s Story of Science Fiction. Lucas meant for the Sequel Trilogy to finally decipher the mystery behind the Whills. The higher the midi-chlorian count, the more powerful in the Force a Jedi or Sith is. The Whills, microbiotic beings who feed off the Force and witness and record galactic events (Lucas once considered the Whills as the narrators of the Star Wars saga), have been around since Lucas’ earliest drafts of the original Star Wars. Midi-chlorians of course are the much-maligned microscopic lifeforms that enable people to use the Force, as explained in The Phantom Menace. There’s one other major element missing from Disney’s Sequel Trilogy that Lucas was keen on exploring in his own version: midi-chlorians and their connection to the mythical beings known as the Whills. Abrams had written scripts for Episode VIII and IX as more cohesive follow-ups to The Force Awakens, but that Johnson had decided to scrap the VIII script for his own take – one closer to Lucas’ original vision. Whoever’s onboard gets to play with the life-size action figures that we all are.ĭaisy Ridley separately revealed that J.J. It’s an ever-evolving, living, breathing thing. Ryan didn’t write what happens in 9 – he was going to hand it off to, originally, Colin Trevorrow and now J.J. You run and hand the torch off to the next guy, he picks it up and goes. George had an overall arc – if he didn’t have all the details, he had sort of an overall feel for where the going – but this one’s more like a relay race. The actor said that Lucas had an overall outline for the movies, which differs from the way Disney has been operating, passing on the baton from director to director. Lucas’ plan for the Sequel Trilogy wasn’t entirely fleshed out, Hamill explained to IGN. That said, Lucas did sit in on the earliest creative meetings for The Force Awakens. Lucas was also going to serve as creative consultant on the new movies but decided to part ways when Disney made it clear that it was going to scrap his ideas and go in a different direction. When the House of Mouse bought the rights to Star Wars in 2012, the purchase included Lucas’ notes for the new trilogy. Hamill has made it no secret that he wishes Disney had followed Lucas’ original outline for the Sequel Trilogy more closely. I’m not trying to be self-aggrandizing, I’m just saying, in the greater scope of things, number one, I never expected to come back, so this is all like found money. My first reaction was, ‘Can’t we push this off until 9? Luke eventually does the right thing selflessly for the good of the Rebel Alliance, and I should do the selfless thing for the betterment of the movie. At SXSW ( via Indiewire), Hamill said that his initial reaction to learning Luke would die in VIII was to ask if the character’s demise could be pushed to IX.
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